Showing posts with label form. Show all posts
Showing posts with label form. Show all posts

Thursday, 7 July 2011

Modus Operandi




1. Giorgio Morandi
2. Atelier Giorgio Morandi, Bologna, 1989–90
3. Giorgio Morandi, Natura Morta, 1952

Same same but different. Please compare the work shown above with this recent photo booth experiment. Things of similarity. Maybe I do live in a parallel place of mind?
/HORST

Friday, 1 October 2010

Transmitter Medium








Maison Martin Margiela Spring/Summer 2011

Logical and consequent. Reducing the garment to a flat, non-dimensional shape. Re-using the female body as nothing but its theoretical framework. Oversized forms forced into fit. Acrylic glass window displays exceeded into jewellery.
/HORST

Saturday, 12 June 2010

Holistic Triptych II




Top Pierre Cardin, Suit 1979
Center Theo van Doesburg, Arithmetic Composition 1930
Bottom Vico Magistretti, Kuta Table 1978

A suit, a painting, a lamp. The triangle, the circle, the square. A man could reduce his belongings in life to these three things. And their endless variation/combination/repetition.
/HORST

Monday, 26 April 2010

Kindness




Disa Treutiger Designer's Nest 2010

It is impressive to watch a young talent evolving a signature design language. Disa Treutiger's pieces instantly stood out and caught my attention due to a subconscious feeling of familiarity. Soft mutations of structure and plasticity that enwind the female body.
/HORST

Image credits Copenhagen Fashion Week

Friday, 23 April 2010

Three Drawings




Artworks Unknown, Jean Cocteau, Theo Firmo

Thin lines creating three-dimensionality. Implicating interactions of the male body and investigating on their physique. Reduced to a minimum of means while simultaneously creating layered meaning.
/HORST

Sunday, 18 April 2010

Replica

Horst Meier vs. Wassily Kandinsky



T-Shirt Levi's Red
Shorts Acne Jeans
Reversed bomber jacket Second Hand
Knife IKEA
Stool Vitra

May I introduce to you a new Lynn & Horst series. Dispiteously facing world renowned examples of art history. The aesthetic discourse documented and re-interpreted with photo booth. This time: The highly discussed Wassily Kandinsky, equally associated with appreciation and disgust.
/HORST

P.S.: If you would like Horst to challenge an artwork, submit your proposal here and now.