Modus Operandi

1. Giorgio Morandi
2. Atelier Giorgio Morandi, Bologna, 1989–90
3. Giorgio Morandi, Natura Morta, 1952

Same same but different. Please compare the work shown above with this recent photo booth experiment. Things of similarity. Maybe I do live in a parallel place of mind?
/HORST

Art Department: Paul Mpagi Sepuya

Photos Paul Mpagi Sepuya

Cordially contributing a photographic interpretation of the essence of Lynn & Horst, the creator himself states: "These are pairs, but pairs not that they are separate but that they are slight shifts in viewing of an object. Each is a study that I keep in the background of my studio, pinned to the wall. Lynn & Horst I also come back to as an example of a study, the pairings of objects and references. In these desk and model studies the objects and references become each other."
/HORST

Portraits Of An Artist II

Images Rainer Fetting & Desmond, Willem de Kooning, Unknown, Unknown, Andrej Dúbravský, Salvador Dalí

Work in progress. Artworks as a result of work. Art as an excuse for sexual workout. Word of mouth and work of hands. Handmade trips of artistic ecstasy. Champagne at gallery openings. Surreal thoughts.
/HORST

Portraits Of An Artist

Images Yves Saint Laurent, Francis Bacon, Norbert Bisky, Unknown, Unknown, Fila, Hunt Slonem, Keith Haring, Yves Klein

The staging of the artist and his subject in his workroom. A study of image. The image of the creative process as a cultural projection. A cliché. Dirty hands, dirty clothes, unfinished paintings, bare bodies - and a stylised posture. The cool and underwhelmed. A paradigm of advertising.
/HORST