A rather unknown and intense side. A different école des beaux arts. Yves Saint Laurent did not only draw draped dresses, le smoking or slender mannequins. His oeuvre includes the oriental wallah. /HORST
I always felt attracted to magic realism. How the clothes cover the bodies like a second skin. Only appearing as an alibi for nudity and eroticism. But also adding an ease, lightness and vulnerability. /HORST
The notion of loss. The notion of sex. Somehow every scene seemed to touch my heart. And I am not afraid to admit my emotional surrender. We all feel we are in the need of a reason in life, a logic sense, a destination. And we tend to project this desire onto a thing called love. Somehow we all fail. /HORST
Thin lines creating three-dimensionality. Implicating interactions of the male body and investigating on their physique. Reduced to a minimum of means while simultaneously creating layered meaning. /HORST
Mythology and male anatomy. His works inherit a Japanese momentum, this very notion of directness hidden behind surreal expression. The explicit, masochistic and sexual seemingly tolerated when stylised. And almost like a gay artist's tradition, Sadao Hasegawa committed suicide following the example of Mishima Yukio and leaving behind works of undaunted kitsch. /HORST