Showing posts with label Triptych. Show all posts
Showing posts with label Triptych. Show all posts

Monday, 6 June 2011

Theoreticially Spoken




1. Moroso, front sofa
2. Christian Brandt
3. Moroso, cushion sofa

Unpolished. Nonchalance. As if there was no purpose, no form. Rigidly built to convey fluidity. While maintaining its spontaneous shape forever. Thus, it achieves what life has been failing in.
/HORST

Tuesday, 26 April 2011

Deconstructed Triptych







1. Kasimir Malevich Selected artworks
2. Jenny Postle Graduate Collection
3. Comme des Garçons Fall/Winter 2011

Something old, something new, something borrowed, something blue. Taking the principle of collage and multiplying it in itarative rows of three. Irregular rows of cloth and colour. Layered geometric shapes. Three lines of text.
/HORST

Wednesday, 2 February 2011

Nudist Camp




1. Wrestling, Michael Sweerts 1649
2. The Fountain of Youth, Lucas Cranach 1546
3. The Dance, Henri Matisse 1910

Where do you wanna be now?
/HORST

Monday, 13 September 2010

Décolleté





We have discussed the men's skirt, the men's dress, the men's corset. In all consequence, the focus now is on the men's cleavage. Deep necklines and kinky cutouts. This is no crazy invention of the 00s but has historic relevance.
/HORST

Friday, 10 September 2010

Process




Images Unknown, unknown & unknown

That's the awful thing about tumblr. You find brilliant artworks but the origin creator remains unknown. Absorbed in virtual space. Deleted by bookmark tools and one-click-image-posting. I want identity back.
/HORST

Saturday, 12 June 2010

Holistic Triptych II




Top Pierre Cardin, Suit 1979
Center Theo van Doesburg, Arithmetic Composition 1930
Bottom Vico Magistretti, Kuta Table 1978

A suit, a painting, a lamp. The triangle, the circle, the square. A man could reduce his belongings in life to these three things. And their endless variation/combination/repetition.
/HORST

Thursday, 27 May 2010

Holistic Triptych




Top Guy Bourdin
Center Massimo & Lella Vignelli
Bottom Thomas Kiesewetter

Guy, Massimo and Thomas unconsciously connected via form and colour. Transmedial concepts that carry a similar notion and degree of expression. Reducing the principles of life to triangle, circle and square.
/HORST