The Men's Bra

1. Jose Manuel Ferrater, 1992
2. François Sagat for Bernhard Willhelm Spring/Summer 2008
3. Julius Spring/Summer 2012
4. Nikos

The only logic consequence in extrapolation of the men's dress, the men's robe and the men's corset. Although being obvious, we rarely allowed ourselves to imagine its realisation.
/HORST

Hero Worship

Part 15: TLC





Good fashion. Feel good moments. Three girls in metallic latex jumpsuits. Front-laced waistcoats. Suede fringe mini skirts. In cropped gym tops and wide cargo trousers. Highlights and belly buttons.
/HORST

The Spell

Hernández-Cornet Spring/Summer 2011

The ancient myth of fox spirits. Transforming into the outer appearance of a beautiful young woman. Seducing the beholder. Their surroundings continuously shifting. Reflected through garments of displacement and a distorted reality. Nothing is what it seems.
/HORST

Hero Worship

Part 13: Vincent Gallo




He is the perfect human and subtly sexual demonstration of how cropped works. It's all about this little centimetre between the top's hem and the trouser's waistband. The notion that this gap is not intended to be.
/HORST

Manipulation

Asger Juel Larsen Spring/Summer 2011

Protective garments that reflect the intensity and bravery of craftsmanship. Intense hues of red and orange that evoke the notion of bursting fire. Cropped and sleeveless tops that expose the wearer's masculinity, strength and sex. Shiny, crispy and studded.
/HORST

Presentation and live installation from today at Machine A, London.

Honest Proposal

Calvin Klein Spring/Summer 2011

In fact, nothing is nicer than the urgent impulse to write about something. The need to show and discuss it. Or to praise it. I always believed in the Calvin Klein man. And I never got disappointed. So, will you marry me?
/HORST

Image credits Catwalking

Digitalis

Spastor Spring/Summer 2005

I remember a time when I first discovered Spastor. Attracted by the rough charme of the name itself but also by the collection's inherent Raf spirit, deconstruction of formal wear and obsession with youth culture.
/HORST

Image credits Marcelo Krasilcic